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dc.contributor.advisorHaaning, Anne
dc.contributor.authorSuyono, Jillian Toshie
dc.date.accessioned2021-06-29T18:38:20Z
dc.date.available2021-06-29T18:38:20Z
dc.date.issued2020-11-26
dc.description.abstractThis thesis is a narrative of an artistic development, drawing on the intersections of meaninglessness and meaning, as well as strategies to resist capitalist recuperation. The narrative moves from the absurd in art to the society of the spectacle through the philosophies of Albert Camus and Guy Debord, then proceeds to examine the works of Scott Walker, Tetsuya Ishida, Michio Fukuoka and Lawrence Lek to contextualise my practice. I seek to situate my work in the breakdown of language and meaning and aim to construct a mythology to undermine the hegemony of the spectacular.en_US
dc.identifier.urihttps://hdl.handle.net/10037/21616
dc.language.isoengen_US
dc.publisherUiT Norges arktiske universiteten_US
dc.publisherUiT The Arctic University of Norwayen_US
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2020 The Author(s)
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0en_US
dc.rightsAttribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)en_US
dc.subject.courseIDSAK-3900
dc.subjectContemporary arten_US
dc.subjectThe Spectacleen_US
dc.subjectvideo arten_US
dc.subjectVDP::Humanities: 000::History of art: 120en_US
dc.subjectVDP::Humaniora: 000::Kunsthistorie: 120en_US
dc.titleBristling at windows: Subversion through heterodox mythologyen_US
dc.typeMaster thesisen_US
dc.typeMastergradsoppgaveen_US


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Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)