Bristling at windows: Subversion through heterodox mythology

Suyono, Jillian Toshie

dc.contributor.advisor	Haaning, Anne
dc.contributor.author	Suyono, Jillian Toshie
dc.date.accessioned	2021-06-29T18:38:20Z
dc.date.available	2021-06-29T18:38:20Z
dc.date.issued	2020-11-26
dc.description.abstract	This thesis is a narrative of an artistic development, drawing on the intersections of meaninglessness and meaning, as well as strategies to resist capitalist recuperation. The narrative moves from the absurd in art to the society of the spectacle through the philosophies of Albert Camus and Guy Debord, then proceeds to examine the works of Scott Walker, Tetsuya Ishida, Michio Fukuoka and Lawrence Lek to contextualise my practice. I seek to situate my work in the breakdown of language and meaning and aim to construct a mythology to undermine the hegemony of the spectacular.	en_US
dc.identifier.uri	https://hdl.handle.net/10037/21616
dc.language.iso	eng	en_US
dc.publisher	UiT Norges arktiske universitet	en_US
dc.publisher	UiT The Arctic University of Norway	en_US
dc.rights.accessRights	openAccess	en_US
dc.rights.holder	Copyright 2020 The Author(s)
dc.rights.uri	https://creativecommons.org/licenses/by-nc-sa/4.0	en_US
dc.rights	Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)	en_US
dc.subject.courseID	SAK-3900
dc.subject	Contemporary art	en_US
dc.subject	The Spectacle	en_US
dc.subject	video art	en_US
dc.subject	VDP::Humanities: 000::History of art: 120	en_US
dc.subject	VDP::Humaniora: 000::Kunsthistorie: 120	en_US
dc.title	Bristling at windows: Subversion through heterodox mythology	en_US
dc.type	Master thesis	en_US
dc.type	Mastergradsoppgave	en_US