En Météo du sens - On longing for an onomatopoeic eutopia dans une langue étrangère

Abstract

This paper discusses the matter of shared space as embodied cognition – méteo du sens in a relation to the artistry process that arises from sonic awareness and from the processes of perception, sensing and artist’s personal relation to it. On a journey on sensing and becoming aware that our body does not limit with the physical body, one must loose their body to be able to share a space, a landscape, a soundscape that could become part of their body – a prolongation of skin. As being accepted by méteo du sens of a space, we are able to echo ourselves in a space as we feel it resonating in us. It is freedom, a platform to dream, yet it is a reciprocal responsibility. The paper discusses the methods and the significance on how the viewer is left free to perceive or interpret the impulses of the artwork, as it is the viewers intuition that guides them way, while the senses are being physically activated, so that the piece could be experienced by the method of intuition as the viewer becomes an active part of the piece.