Most musical instrument augmentations aim to only fit one specific instrument and depend on an external sound system to work as intended. In a more acoustic concert setting this often alienates the electronic sound component. The FLAPIBox is an integrated solution that fits most acoustic instruments and use its own resonance for playing electronic sound in a more organic way—through the instrument ...

How do we talk about musical colonisation? How do we talk about this work of talking about it; that is, interrogating what we mean by colonisation and its counter-logic of decolonisation or decoloniality?

“No Delay?” – Online teaching using low latency technology. Playing music together using low latency technology has been possible for some years now, provided fast and robust digital networks. The accessibility of low latency networks has been limited, and the available software has been complicated to install and use. At the music conservatory in Tromsø, associate professor Geir Davidsen has ...

‘Excellence’ is a word that is used in academic and political discourses both as an unquestionable (and unquestioned) goal, as well as an undefinable standard against which academics and their work are assessed. This chapter seeks to ask some of the questions – and tease apart some of the underlying assumptions – that are encased in the ubiquitous use of the term. Ultimately, it shows that ‘excellence’ ...