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dc.contributor.authorStien, Hanne Hammer
dc.date.accessioned2023-09-28T13:35:55Z
dc.date.available2023-09-28T13:35:55Z
dc.date.issued2021
dc.description.abstractThe point of departure for this essay is a series of eleven contemporary photographic portraits of Sámi people in large formats presented in the exhibition Sápmi – Becoming a Nation (2000-) at the Arctic University Museum of Norway, in Tromsø.1 The photographs were commissioned by the curators, and they were shot by documentary photographer, photojournalist, and filmmaker Harry Johansen (b. 1958). Working mainly as a freelance photojournalist, Johansen, who himself is a Sámi, was developing his photographic practice in the middle of the ethnopolitical uprising that took place in Norway from the 1970s onwards.en_US
dc.identifier.citationStien HH: Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery in Sápmi – Becoming a Nation at The Arctic University Museum of Norway. In: Lien S, Nielssen H. Adjusting the Lens. Indigenous Activism, Colonial Legacies, and Photographic Heritage, 2021. University of British Columbia Pressen_US
dc.identifier.cristinIDFRIDAID 1976014
dc.identifier.isbn978-0-7748-6661-3
dc.identifier.urihttps://hdl.handle.net/10037/31291
dc.language.isoengen_US
dc.publisherUniversity of British Columbia Pressen_US
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2021 The Author(s)en_US
dc.titlePhotographic Portraits as Dialogical Contact Zones: The Portrait Gallery in Sápmi – Becoming a Nation at The Arctic University Museum of Norwayen_US
dc.type.versionacceptedVersionen_US
dc.typeChapteren_US
dc.typeBokkapittelen_US


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