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dc.contributor.authorRogatchevski, Andrei
dc.date.accessioned2020-06-09T08:25:13Z
dc.date.available2020-06-09T08:25:13Z
dc.date.issued2020-02-01
dc.description.abstractA selection of Soviet/Russian and Norwegian documentary and feature films about Svalbard is analysed to account for the recurrent issues raised in cinematic representations of the archipelago. Such issues primarily include Svalbard’s ownership and demilitarization, as well as the role that women – and Russia – play in the region. The subject of these representations’ verisimilitude is also discussed. The article concludes that both film groups show a mutually observed parallel reality.en_US
dc.identifier.citationRogatchevski A. ‘Svalbard on the (Post-) Soviet Screen’. Nordlit. 2020:150-174en_US
dc.identifier.cristinIDFRIDAID 1796152
dc.identifier.doihttps://doi.org/10.7557/13.4993
dc.identifier.issn0809-1668
dc.identifier.issn1503-2086
dc.identifier.urihttps://hdl.handle.net/10037/18493
dc.language.isoengen_US
dc.publisherSeptentrio Academic Publishingen_US
dc.relation.journalNordlit
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2020 The Author(s)en_US
dc.subjectVDP::Humanities: 000en_US
dc.subjectVDP::Humaniora: 000en_US
dc.titleSvalbard on the (Post-) Soviet Screenen_US
dc.type.versionpublishedVersionen_US
dc.typeJournal articleen_US
dc.typeTidsskriftartikkelen_US
dc.typePeer revieweden_US


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