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dc.contributor.authorGustafsson, Henrik Isak Immanuel
dc.date.accessioned2024-02-09T13:07:51Z
dc.date.available2024-02-09T13:07:51Z
dc.date.issued2023
dc.description.abstract‘Genealogy is gray, meticulous and patiently documentary.’1 The opening statement of Michel Foucault’s 1971 essay ‘Nietzsche, Genealogy, History’ reiterates Friedrich Nietzsche’s polemics against ‘the genuinely English type’ of genealogy, ‘gazing around haphazardly in the blue,’ launched in the preface to On the Genealogy of Morals.2 As the antidote to the ethereal realms of the soul and sky hypothesized in earlier genealogies of humankind’s development, the German philosopher advances his own gray tactics, determined to mine ‘the entire long hieroglyphic record, so hard to decipher.’en_US
dc.identifier.citationGustafsson H: Gray Illuminations: Foucault and Warburg in the Kingdom of Shadows. In: Vinegar, Vellodi. Grey on Grey: At the Threshold of Philosophy and Art, 2023. Edinburgh University Press p. 357-385en_US
dc.identifier.cristinIDFRIDAID 2221656
dc.identifier.isbn9781474478519
dc.identifier.urihttps://hdl.handle.net/10037/32897
dc.language.isoengen_US
dc.publisherEdinburgh University Pressen_US
dc.relation.urihttps://www.jstor.org/stable/10.3366/jj.9941318.17
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2023 The Author(s)en_US
dc.titleGray Illuminations: Foucault and Warburg in the Kingdom of Shadowsen_US
dc.type.versionacceptedVersionen_US
dc.typeChapteren_US
dc.typeBokkapittelen_US


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